QUOTE (BourneAgain @ Aug 31 2009, 08:16 PM)

It was, actually. I admit that I kind of jumped at the opportunity, though. I'm a big Shules fan.
You don't say! I never would've guessed.

No, kidding. So am I

QUOTE (applejacks @ Aug 31 2009, 10:01 PM)

As am I, I'm a shules fan though for story reasons they have to keep the tension otherwise it's not as interesting. As long as they don't pull a bones thing

where in the
4th season the girl is oblivious to the whole relationship thing... that was so dumb ( my friend wanted me to watch bones.... the stupidness was just too much)
So oooh that will be interesting....I'm curious bourne how you figure out motives....Ive allways wanted to write a detective story maybe even a psych script but motives are hard for me.. any tips haha
allright
applejacks out
Well, if you're going to mention Bones you should and probably also do know that keeping the tension for four seasons without resolving it gets boring and feels forced and artificial. It's just not a realistic way to portray a budding relationship, not even for TV standards. I'm sure the Psych writers will pull off a convincing balance between the two extremes, though. They've shown they're capable of amazing things. At least they've avoided the mistake of keeping The Girl oblivious of the whole relationship, since Juliet's the one who took a leap of faith and revealed *her* feelings to our Hero. So they're both overtly aware. Which means one potential Bones-pitfall has been averted

Sorry if I tend to ramble on about this sort of thing. I've lurked here long enough to know that Shawn/Juliet has been discussed to pieces already, but what strikes me about this 'ship is that I actually manage to stay positive about it over the course of four seasons, whereas I sometimes succumb to cynical thoughts about other show's 'ships, e.g. because of bad writing. So I find it remarkable that the Psych writers, in my opinion, have pulled it all off rather nicely - at least...so far.
Maybe it's because Shawn/Juliet isn't the main focus of the show, that they can afford more experimenting without immediately impacting the main body of the show. Or something like that.
-
EDITED to add my feedback of your script. Grab some popcorn; it's quite the read .
Allright. Like I said, my feedbacks can be long, but it’s only because I find so many good things in your scripts and I just want to list them all this time. Because I figured feedback also includes praise, not just constructive criticism.
First of all, like I said before, I like the subtle hints of Shawn/Juliet you thrown in. Like the ‘hint of remorse’ or the little moments you give them throughout the script; I can’t decide whether they *actually* do subtle ones like yours on the show, or that I, the ‘shipper, just misinterpret the show and you actually pull them off better than the show does.
In any case, it’s good to see that you care about continuity by putting in little things like that.
The whole ‘Strapping?....’ exchange. made me laugh; it’s a very Shawn thing to say and I could immediately see him saying that in my head, like he would on screen.
The whole notion of the Terminator being a warning from the future about an actual Terminator coming to our time…I must admit I started daydreaming about that a bit and the whole idea… it’s just priceless.
The way you portray Lassiter’s reaction to Shawns antics in the car, reminds me a great deal of dr. Cox on Scrubs. Which is a good thing

For some reason I love it that Gus would ask Shawn, not Lassiter, where Juliet is.
Shaved Pink Labradoodle, nice. Does anyone even know what a labradoodle is?
“Go start the car, just in case” That made me laugh for a good twenty seconds .
Shawn’s worrying over Juliet going undercover reminded me of Tuesday the 17th, when she is about to run outside. Again, a nice exchange.
The first conversation in the house is nice. Actually, both are. Again a nice continuity thing how Jules has gotten used to his flirting, even after mr. Yang, and doesn’t get exasperated anymore when he says something like about ‘I would’ve asked for a quiet place…’
Although, putting an arm around her shoulder still goes too far

I’m not an expert on police procedure, so you’d have to ask TexasArtChick to be sure, but I’m not sure that a…what is it, an undercover operation? that has been set up to lure a killer out of hiding culminates on the police officer put there to catch the guy running away and even shouting *go!* at Shawn to start driving. It’s not much of a ‘trap’ like that, is it?

It does provide a nice moment with her touching Shawn’s arm, but still. I’d also think she’d at least pull out her sidearm when she thinks a killer is approaching.
Maybe you could spin it in such a way that Juliet goes ‘round the back of the house to surprise the killer, and asks Shawn to stay in the kitchen to distract him. Then you could still have the throwing of the pan, the screaming of the Shawn, and the humiliation of the Lassiter, and Juliet gets to show off the fact that she’s a really brave copper. And then when Shawn reaches the car, Juliet calls him back saying it was only Lassiter, or something. You don’t even have to remove the little moment between them if Shawn doesn’t want her to go outside or something. I’m so obviously not a writer, but that’s just my take on things.
And another batch of Shawn/Juliet interaction…PLUS a high speed car chase! This just keeps getting better and better!
How does the man rip off the door of a car if he is not a real robot?
Awww a hug. I have goosebumps. Sad perhaps, but true.
The ending; golden. What’s frustrating is that you apparently are not going to do anything beyond all the teasing. (you said you didn’t feel that was your place to do, right?)
You *really* are like the Psych writers

Oops, that turned out to be a bit longer than expected. Ah well, tell me what you think of it, then I’ll consider that in my feedback on your next script