Here's a pretty good article that I'm not planning to put up the site
Idyllic marriage is torn asunder Former 'Law & Order' actress details its painful collapse in Oberlin setting
By Scott Eyman
Cox Newspapers
Published on Sunday, May 10, 2009
Isabel Gillies walked away from her job as an actress on Law & Order: Special Victims Unit to move to Oberlin and be a faculty wife.
Her husband was a poetry professor, they had two sons, and she was crazy in love with her family and the idea of raising her kids in a stress-free environment.
Gillies and her husband bought a house, installed new appliances and a new heating system. She didn't miss New York, and loved her new home, for Oberlin has a vibe all its own. It's farmland, with plenty of the spectacular cloud formations of the Midwest, what the natives call ''God light,'' when the sun streams through, providing some spectacular lighting effects.
And then there are the people. ''Oberlin students are named Zack or Violet,'' Gillies writes. ''They know transgendered people and how to address them, never making a mistake. I am forever getting confused on that account. Sometimes it is very hard to tell what gender these kids are, and I supposed that is the point.''
Gillies and her husband fit right in. Once, a few generations ago, their respective families had some money, but now they're down to their last Maine vacation house. They know fine things, but don't have a lot of them.
A month after establishing an idyllic existence, Gillies' husband dumps his family for a new member of the faculty, a professor of 18th-century English literature. The Other Woman — Gillies calls her Sylvia and her husband Josiah, even though those aren't their names, and a few minutes on Google will turn up the real ones — has looks somewhere between Audrey Hepburn and Winona Ryder, and a vaguely French accent. She's diametrically opposite Gillies, who is blond and Nordic.
''Happens every day,'' is what the other woman tells Gillies when the soon-to-be ex-wife asks how this could be happening to her. True, but it doesn't happen every day to Isabel Gillies, and Happens Every Day is her story of her marriage and unwanted divorce.
Gillies' book got me thinking about a batch of divorces I've been in proximity to the last several years. (Have you noticed that divorces, like death, often come in bunches?) They all began with affairs that nobody would admit existed; none of the betrayed spouses ever saw it coming; all went through emotional ravages, including a period of bouncing-off-the-walls craziness, accompanied by the well-known divorce weight-loss program.
Oh, one other thing: The adulterous spouse always tries to justify his or her behavior, which only proves that very few people will cop to being the incompetent architects of their own life.
In the end, everybody survives, but at a cost I can only imagine, and there tends to be a certain residual bitterness at the bottom of the cup.
Gillies' experience was very similar. She develops an interest in reality TV and a heretofore unexpected sympathy for Jennifer Aniston. And she cunningly compares her ravaged life with two small children to the life of people in the movies who are having the same experience.
''In the movies, when husbands or wives suddenly announce that they are leaving the marriage, life seems to stop suddenly to make room . . . The jilted woman or man has endless time to wallow in bed for days crying or drinking. That actress never gets out of her nightgown, except to take long meaningful walks through Central Park. I needed to be in that movie.''
So what makes Happens Every Day worth reading?
Gillies is an actress by profession, and actors are trained to be specific, so she's got a great eye. She's also a good writer:
''I went upstairs to where the boys were sleeping in their rooms and sat in the hallway equidistant between them. I took in a long steady deep breath and when I couldn't take in any more, I held it. I think I held my breath for the next two months.''
Gillies book is not a diatribe, and only occasionally a cri de couer. Mainly, it's a surgical reconstruction of her marriage's sudden collapse, and it's utterly honest and painful. Despite the fact that her predominant state throughout the book is pain, Gillies is pretty good company, mainly because she's got a good sense of humor, although not about Sylvia.
It's a tart book, a universal book, which is to say completely human, and eminently worth reading for both men and women.