I haven't watched those episodes in a long time. I think I'm meshing the two together. The scene where he's sitting on Mary Stewart Masterson's couch is the episode or scene I'm specifically thinking about that I thought was good. But when you think about it- both of those episodes are focused on Elliot beating someone or something up and then forcing himself to cry. You can see him thinking too much about the cry, which is what I think you hate about the acting. And I have to agree that he could have done it better.
It's kind of interesting because I just went through a big thing breakthrough, having to cry in this play that I'm doing every night. It took me the entire rehearsal period to figure out how to believably cry every night. It's tough because you can do certain breathing techniques and mental excercises to get yourself there, but until you learn how to do it without thinking about it---it's not believable. But it's so so so subtle.
I'm not sure why I'm telling you all this. I guess my point is, that it's interesting how something so slight can make a performance amazing as opposed to good.
It's kind of interesting because I just went through a big thing breakthrough, having to cry in this play that I'm doing every night. It took me the entire rehearsal period to figure out how to believably cry every night. It's tough because you can do certain breathing techniques and mental excercises to get yourself there, but until you learn how to do it without thinking about it---it's not believable. But it's so so so subtle.
I'm not sure why I'm telling you all this. I guess my point is, that it's interesting how something so slight can make a performance amazing as opposed to good.
That is the decription I am looking for. Thank you!
And please feel free to share. I am learning so much!
Again, thanks Scar for shedding some light on the Emmy process, not to mention the acting critique.
Breaking an actors performance down, based on what you described, is really interesting...and puts a lot of things into focus. It's kind of no wonder Chris hasn't won anything yet.
I agree with you on your breakdown of Mariska's performance in "Undercover."
Initially, I was thinking she (or the director) didn't do enough to show the 'junkie' side of her character early in the charade. But, as an someone untrained in acting (and also someone who knows little about junkies
), I was expecting her to do what I've always seen done in movies, t.v, where someone is going through withdrawal. The shakes. The sweating.
What she did do, was subtle, and maybe someone addicted to prescriptions behaves differently when they are going 'without.'
Her 'physical' acting spoke for itself. And as far as emotional connection...right on the money (and not just because she screamed and cried!)
There was a difference in the emotion she was able to convey during the attack. Initially, Olivia had the 'fight or flight' thing going...screaming with ferocity, with energy. After the punch in the face...you could hear in Mariska's voice when Olivia 'broke.' It was that next pitiful 'Nooooo' that really broke my heart!
The use of her words...I think she DID make some of her lines 'her own' (geez, now I'm sounding like Paula Abdul
) ...
"Did I strike a nerve?" was priceless....not to mention the strain in her voice when she realized Harris didn't have TB...'he tried to kill me.' Enough emotion to sense what she was feeling...but enough restraint for us to understand how Olivia was trying to keep it together.
At least, to the untrained ear...that's what I heard!
Chris...I don't know what to say. "Paternity" gave him NOTHING to even chew the fat on....I've said it before...I wonder if he really ticked off someone big last year, during contract negotiations or something. His character has just drifted off into blandness....
Scar...I'd love your Emmy acting analysis on the episode "Fault."
I actually think Chris did more in THAT episode than in anything in the last two years....
Breaking an actors performance down, based on what you described, is really interesting...and puts a lot of things into focus. It's kind of no wonder Chris hasn't won anything yet.
I agree with you on your breakdown of Mariska's performance in "Undercover."
Initially, I was thinking she (or the director) didn't do enough to show the 'junkie' side of her character early in the charade. But, as an someone untrained in acting (and also someone who knows little about junkies
What she did do, was subtle, and maybe someone addicted to prescriptions behaves differently when they are going 'without.'
Her 'physical' acting spoke for itself. And as far as emotional connection...right on the money (and not just because she screamed and cried!)
There was a difference in the emotion she was able to convey during the attack. Initially, Olivia had the 'fight or flight' thing going...screaming with ferocity, with energy. After the punch in the face...you could hear in Mariska's voice when Olivia 'broke.' It was that next pitiful 'Nooooo' that really broke my heart!
The use of her words...I think she DID make some of her lines 'her own' (geez, now I'm sounding like Paula Abdul
"Did I strike a nerve?" was priceless....not to mention the strain in her voice when she realized Harris didn't have TB...'he tried to kill me.' Enough emotion to sense what she was feeling...but enough restraint for us to understand how Olivia was trying to keep it together.
At least, to the untrained ear...that's what I heard!
Chris...I don't know what to say. "Paternity" gave him NOTHING to even chew the fat on....I've said it before...I wonder if he really ticked off someone big last year, during contract negotiations or something. His character has just drifted off into blandness....
Scar...I'd love your Emmy acting analysis on the episode "Fault."
I actually think Chris did more in THAT episode than in anything in the last two years....
Liv having the shakes while undercover is so cliche, and Liv as a druggy was not what the eppy was about. Besides, there was but so much to cover in the 42 minutes given (is it still 42 minutes because I could swear I get about 12 commercials each break). They also didn't show Liv having to go up against the biggest bad ass in the prison where she comes out on top, and I am not sure who to thank for that, but I will just put a big fat THANK YOU out there anyway. Those things are so predictable, and again, not what the story is telling us.
The punch in the face was possibly the best part to me because as you so brilliantly described it, that was the moment you could tell Liv had been broken. When she said "no" right after he hit her, I almost cried. It was simple but very powerful. It was very heartbreaking, but I loved that part! Thank you for putting words to my thoughts!
As for Chris, he didn't piss off anyone because he is still getting $6.5mil a year. I honestly believe TIIC feel the same as some of us when it comes to Chris. He does not deliver when he is given the meaty stuff. Rage should have been an Emmy winner - instead it was an unwatchable piece of junk. I had high hopes for him for that eppy, but they were quickly dashed when I began to watch the eppy. I only watch the last 15 minutes now because I truly cannot stand to watch the rest of it. In Fault, again, all that screaming just does not work for me (Chris does, however, pull you in with his eyes) Lou Diamond Phillips certainly did his share, and MH, well you already know. She did more with just a simple tear.
ANDREA
