I liked the talk between Adrian and Julie, too. It was so funny the way he was practically begging at the end, "Stop crying. Let me out of here." I half expected him to continue with "...Before I start crying." I think that Natalie was right in choosing Adrian to talk to her about it. There are some things that moms aren't the best suited person to talk to their daughters about, because the daughters think, "She's my mom, of course she's gonna say that, she loves me/she's never going to see me as growing up/she'll always think I'm pretty,smart, great,ect..." Or in this case, "She's my mom, and a woman, she could be wrong about how boys think." Ideally, a girl has a father or father figure growing up so that they have less reason to question whether a guy can or will ever respect and value them for some reason aside from sex. The whole "If you really loved me, you'd do it," argument and the threat of breaking up with her if she doesn't get a whole lot weaker in a girl's mind when she's grown up with the unconditional love of a man who she sees as the template for the perfect man. Even if they don't know it, girls look for someone like their dad, and if they can't imagine their father ever saying something like that to a girl, then they become less enchanted with a boy who would. Her father becomes what her ideal of a real man is. In this case, Natalie wanted Julie to know that a very good, smart, sweet man that she respects and admires and who was a young man/boy once felt that it was worth it to wait for the right person, and to wait for that person to be ready. Hearing it from her mom, and to a lesser extent, any woman wouldn't have the same impact. Her mom would be too close to the situation to see it clearly in Julie's eyes, and as I said, she's not going to think they know how boys think, and she might even wonder how much of what they tell her is true or colored by their own experiences trying to navigate dating boys in high school.
And like Dani said, it was really more about relationships than the actual mechanics of where babies come from. Like Natalie wrote in her blog, there are books, they teach sex ed in schools now, they learn a lot from talking to other kids (though a lot of that is *wrong*) and they could always do like I did and grab the World Book Encyclopedia to learn about how babies are made. The stuff that she discussed with Adrian was really more something you need to talk to someone else about, so you can ask questions, it's not as cut and dry as 'sperm + egg = baby'.
My husband couldn't understand why Julie was arguing with Natalie and 'being so mean to her mom' in the scene where she was telling her about breaking up with Tim. I think it's because of Julie's inner conflict; she really did like Tim better than Clay, but Clay was more popular and older and could drive so she was trying to look at it like an equation like the sperm + egg equation above. From a purely practical or sort of mathmatical POV, Clay was a better choice. But as we saw with her conversation with Adrian, this is the part where the rules of logic don't really help. You can't measure what you feel in incrimants and put that into an equation. It's nicely ironic that with Adrian, almost everything has to make sense and has to have logic, he believes in things he can see and he's not as good at things that can't be seen or measured. Except for this one thing. There's room to question or doubt anything that can't be seen, touched, or measured by some universal, scientific scale or method, except for how he felt about Trudy and how real that was. See? Nice.
The mystery was good, too, sort of a 'How-will-he-prove-it?' that wasn't too easy to figure out. I guessed that Julie's tee-shirt had something to do with it, and he had something to do with Clay asking Julie out, but I couldn't see the shirt closely and didn't know how Adrian would prove anything after Julie burned the shirt. I didn't know exactly how Julie's love life tied into the murder.
Just curious, did anyone else wonder about the plausability of Tim being able to save all those CDs before they sank too far for him to get them? Well, just in case I wasn't the only one and anyone else is curious, CDs that are not in a jewel case do sink, but very slowly, and when Tim hit the water and broke the surface tension, they still wouldn't sink all that fast. But, CDs inside of a case, like those were, don't really sink, or at least if they do, they sink so slowly that you might as well say they don't sink. And, they do still work afterwards! I ran water in my kitchen sink, mixed in a lot of kosher salt (dissolved it, too) then tossed in a CD in a case and a DVD without a case, and did it again so I could test the surface tension thing. Then I rinsed them off, dried them, and tried them out and they worked. GHood thing too, because the DVD was actually my brother in law's wedding DVD that I was editing, and I didn't think about that before I tossed it in the sink. I had a Randy moment, okay? It still works! That's the important thing.
I liked Randy in this one too. I loved the 'Mmmm. Guilty' line, it was so funny. Randy has my kind of sense of humor. But he didn't ruin the tv screen, really. A little alcohol on a paper towel will take that right off. It worked on my computer monitor lots of times. At least my old monitor. I haven't tried it on the new one, it's an LCD monitor and I'm afraid it might do something lile that TV screen did when Adrian sprayed the acid stuff on it in Dead Guy. I guess I'll have to find a new way to mark where I should crop my screencaps when I make the animated GIFs. Even permanent marker comes off with a little alcohol and elbow grease.
I don't think Rita was a meter maid, I suspected a slightly different line of work. I can't imagine a meter maid needing to be handcuffed to a chair. I wasn't sure why a witness to a knife fight (alledged or otherwise) would need to be handcuffed to a chair either. But did you recognize the actress, Gail O'Grady? She played Miranda StClair in the pilot episode. Her awkwardness with the chair reminded me of the scene where Adrian was talking to her and trying to cram his butt into that tiny chair, then got it stuck on him when he tried to stand up.
This episode reminded me a lot of Carnival, too, with Adrian going to the dead guy's apartment with the dead guy's landlord standing there talking about how much of a pain his former tennant was, and then the setting of where they caught up with the guy, the photos taken at the carnival/park providing a clue, the photo guy screaming to alert them that something important was happening was like when Stokes killed Kitty the ferris wheel operator... And yeah, Bubba, I thought of Marathon Man too when Adrian was trying to catch Sherman before he could throw the evidence into the water, too. And whoever asked about whether Tim reminded anyone else of Benjy a little bit? Yeah, I was thinking the same thing last night. Somehow he does remind me of Kane Ritchotte.
I loved the parts of Cobra that were representational and sort of metaphorical (I think that's the right usage of the word) and I loved the parallels and comparisons in it, with Master Zee telling Adrian to 'be the light' then later, Stottlemeyer was able to find Adrian because the caution light was out among other things. It was just very hard for me to watch the shots that reminded me that Adrian was in a very tiny box buried under a lot of dirt. I have a serious phobia about being underground, especially of being buried alive. It's difficult for me to even go down into a basement or underground room, garage or some other kind of underground space without having an anxiety attack. I wasn't being critical when I said it was hard to watch, I mean it's literally hard to watch for me. But I could really appreciate and enjoy the symbolism of the situation and I can't imagine any other way they could have used that same metaphor nearly as effectively as having Adrian buried alive in a coffin, brought right to the brink of death, walk and talk with Trudy, and then be more or brought back to life at the end. Its the best way I could imagine to have Adrian sort of journey through death and be reborn. It's just inconvenient for me that watching it give me sympathetic death pains.

It's actually a good comparison or whatever with the story or the myth of
Orpheus and Eurydice in a lot of ways.
I do wonder how that scene (where he was buried alone in a much smaller space with only a little candle for light) will compare with being buried in a larger space with a source of light that won't be as likely to set the container he is in on fire and won't burn up his oxygen, but with another person who *will* be using oxygen. It looks like, from the previews, that rather than taking comfort from the presence of another person being there, he's going to be fighting with Troy instead. I guess though that they won't have to call Dr. Kroger this time. With his son also being buried, he'll probably be a part of the search party and be on hand when they find them, thought I can't imagine him being too focused on Adrian and his issues as soon as they dig them out. He'll be more worried about Troy, obviously.