QUOTE (luvinmonk @ Jul 22 2007, 05:46 PM)

I liked the episode because it was very different from what we are used to. Although there were a few parts that I could have lived without. But like one poster said somewhere on the boards they don't ask me when they are making the episodes. So I guess I have to take what I get and any new Monk is better than no Monk.

I agree -- it *is* different, and I think because of that, and the fact that the eppie takes us into a world that many of us probably wouldn't go or wouldn't care to go, is part of why people *dislike* it. In that respect Rapper is a lot like Mr. Monk vs. the Cobra, where the world is martial arts. I'm not a martial arts fan, but that eppie was still enjoyable, and not simply because of the howdunit.
Rapper is a lot like Cobra in another respect, too, and that is that it has a theme/subplot of, well, respect. In Cobra Monk learns respect for his new assistant Natalie by reimbursing her for her expenses (even though he has to give up Trudy's old office to do it), while in Rapper that idea is broadened and deepened so that it works at several levels. We see MurdeRuss's respect for Monk as a detective based primarily on his street credit, Monk's eventual respect for his client's integrity, the idea that one's word is one's bond, the respect for truth and justice (as evidenced by Stottlemeyer and MurdeRuss's eventual reconciliation), and finally Monk's respect for Natalie as an assistant/confidante/right hand as opposed to a mere secretary. All in all a neat little episode, even if some find the setting off-putting. If this be crap, let us make the most of it, for even the "bad" eppies of MONK are a lot better than 95 percent of the other stuff we see on TV.
It saddens me that there seem to be some people out there who think that Monk is supposed to fit into a neat little formula, when the evidence suggests that there is no formula. There are ideas and guidelines, yes, but no formula. Andy Breckman and his writers have shown time and time again in interviews, etc., that they love to play around with our expectations and with the character of Monk. Look at all the different ways they have of doing the "Here's What Happened" -- yes, including, now, a rap version -- and all the different types of situations they throw Monk into just to see what would he would do. They are playing with their characters, big time, like Marci and her bobbleheads, and they love it -- even if we don't always. And in the end, I believe, that's a good thing. If Monk followed a specific formula, you can bet that people would be complaining that Monk has jumped the shark because it's become too formulaic. Creativity is good, even if, like Monk, we feel uncomfortable sometimes with what has been thrown at us.
Wipe!